Art Crush

museumuesum:

Richard Anuszkiewicz

paintings from the 1970’s

Inverse Yellow, 1970, Acrylic on Canvas, 48 x 48 in.

Red And Others, 1970, acrylic on canvas, 48 x 48 in

Transcolor, 1970, Acrylic on Canvas, 36 x 36 in

Summer Sun, 1972, Acrylic on Canvas, 60 x 48 in.

Winter Sun, 1972, Acrylic on Canvas, 60 x 48 in

Gold Edged Rose Square, 1979, Acrylic on Canvas, 42 x 42 in. Blue

On Crimson - Cool Center, 1974, acrylic on canvas, 24 x 18 in

On Crimson - Warm Center, 1974, Acrylic on Canvas, 24 x 18 in

Red Square With Green And Lavender, 1978, , 46.5 x 46.5 in

Sunrise, 1977, Acrylic on Canvas, 48 x 48 in.


ianbrooks:

Strange Attractors by Chaotic Atmospheres

The darkest art known as Chaos Theory is perfectly embodied in the form of its strange attractors: vast looping trajectories of variables that, when plotted, conjure gorgeous yet insidiously disruptive patterns. Chaotic Atmosphere’s Math: Rules series pays tribute to the beautiful form of chaos and its inevitable collapse of all our efforts to predict it.

Artist: Behance / DeviantArt / Twitter


anti-utopias:

Martin Pfeifle - BAIBA, 2009, battens, silver foil, fluorescent light, cable. Kunsthalle Mannheim, Hector Kunstpreis. Image © Martin Pfeifle. Used here by kind permission from the artist. All rights reserved.
More images here.
Martin Pfeifle´s works are cuts into space. Although they always relate to their location and are built «in situ», his settings exist nevertheless as self-referential sculptures. View Larger

anti-utopias:

Martin Pfeifle - BAIBA, 2009, battens, silver foil, fluorescent light, cable. Kunsthalle Mannheim, Hector Kunstpreis. Image © Martin Pfeifle. Used here by kind permission from the artist. All rights reserved.

More images here.

Martin Pfeifle´s works are cuts into space. Although they always relate to their location and are built «in situ», his settings exist nevertheless as self-referential sculptures.